When we open an image in Photoshop, we soon create layers and more adjustment layers, changing levels, curves, selective color, and anything else that can improve the look of the photo. There’s nothing wrong with starting editing right away, especially if you’ve already mentally visualized the final result and know what ways to go for it.
Unlike Lightroom, in Photoshop it is impossible to change everything non-destructively, at some point it will be necessary to touch the pixels of the image, mainly in portraits or fashionable tweaks, our time is precious and there is nothing worse than concluding that we edit too much, or that we edit so carefully that even in printed work , the changes wouldn’t make much difference.
- Is today’s advice for? View the photo before you start editing.
- Analyzing the potential of the image by analyzing lights and shadows.
- Verifying the composition.
- And noting exactly what to do.
Convert the image to black and white
In general, colorless images tend to work better in black and white, but even if your photo is perfect and your intention is to work in color, check it out in PB. This is one of the most effective ways to check lighting and exposure areas If your photo doesn’t even work in black and white, it probably won’t work in color either.
Remember that when you do this, you’re just checking the lights in your picture. Go back to the original colors and continue editing normally. If you want to continue with black and white, learn two quick and effective methods (http://migre. me/cnDdi).
Rotate the image
After reviewing the exposure areas, check your composition by rotating the image horizontally, such as a mirror (Image – Image Rotation – Rotate the canvas horizontally). This technique helps to identify the elements that leave the composition unbalanced, because it unused his eyes. to the same image If the photo becomes unpleasant, try new cuts and formats.
Enlarge:
Zoom up to 100% and search the ‘defects’ image. Create a new layer and, with the brush, circulate imperfections, wrinkles, dirt on the sensor and anything you think needs to be corrected. Recording the retouching will save you time, and prevent you from switching beyond the account. Just be careful not to exaggerate your selections and start seeing too many flaws.
Out:
Whenever you change the contrast, lights, or colors, work on the image as zoomed in as possible so you can see the image as a whole and see if the settings work or not for all domains. Does the trick also apply to paint layer masks?unless you need a 100% definition.
Then before and after the image used in the examples: