The escape point is a real or imaginary point where two or more lines of our photograph converge. And he’s also the only protagonist of this week’s challenge.
Every week I will propose a new challenge, it is a topic that you will have to capture in a photo and upload it to the Facebook page of the blog by putting in the description the keyword that I will indicate for each topic. The subjects will be varied, from portraits to macro photography, through landscapes, black and white photographs or babies. Topics will be offered on Saturdays, so you have the entire weekend to work on them. You will have one week to upload your photo (one photo per participant), until Friday of the following week. On Friday or Saturday I will update the article with the photo that captivated me the most and propose a new topic, and so on?
- The point of escape is present in many photographs without us no counting.
- Where the lines converge.
- Inside or outside the image.
- It is known as a point of escape.
- But in most cases.
- It goes unnoticed.
That is why this week what we want is to give it all the prominence, whether you are taking photos in which the gaze inevitably goes to that point of the frame or even takes us to an imaginary place outside of it. this, lines of buildings, roads, roads. to train? Look around you and show us the beauty of the vanishing point and its ability to hypnotize the viewer.
As usual, to participate in this week’s challenge, take your photo to the Facebook wall of the photographer’s blog: in the photo description, include the keyword?Escape point challenge?followed by a title of your choice.
For those of you who are not from Facebook, I have enabled the participation of new social networks.
Good picture
My gaze was lost in the hundreds of vanishing points you sent us. There are so many great photos that I want to congratulate you on. Here is a small sample:
This week’s photo is Largo Camino, by Noa GP. The escape point is where the lines converge and, in this photograph, it also appears to be the place where the woman’s dreams converge. Well the rule of three thirds jumped in this case, placing all. interest in the center of the image. The gaze is inevitably directed towards the “long way” that must be traveled, leaving behind (in the lower part of the image) a negative and empty space. The yellow color invites us to think that Something will break the monotony on the other side of the bridge, where our gaze and our woman are directed.