Photographers often have a bad habit of photographing everything from the point of view of the eyes, they walk, they see something that catches their eye and they take pictures of the exact place they are, if you want to make an immediate impact on your photograph, do you need to stay out of sight?Or tripod, you have to change your view! Of course, you can change your composition using the zoom of your lens, but if you really want to change the perspectives with which you take your images, you will have to move, do not let your feet or tripod take root in one place. Get ready to hang, turn, walk and climb. Start working with the different perspectives of photography.
Your images will thank you.
- Leave your camera at ground level and see how it affects your point of view.
- When you lean over.
- You can add the close-up to your composition.
- As well as give the viewer context for the rest of your photo.
- Use a wide-angle lens to do this.
- By crouching down.
- You can also change the way the viewer feels or reacts when they see your primary subject.
- Because with perspective from below.
- It may seem bigger or more imposing.
- Models seen from below.
- Whether people.
- Animals or objects.
- May seem more in control and more powerful.
- Using ascending perspective can also confuse your viewer.
- This view of the water becomes a study of colors and textures.
- As water and dried leaves interact with each other.
- At eye level.
- This photograph could become a simple top-down portrait of a stream of sewage.
- Tilt simplifies composition and puts the viewer in a different and unique perspective.
You can lean over and look at the subjects at your level, but you can also stand at the top and photograph your model from above. Staying well above your normal field of view will certainly give you a new and interesting perspective. the other tourists on the bridges give context to the iceberg, seen from a cruise. This view from the top also promotes the feeling of a larger scale of the size of the iceberg.
However, if you don’t want to be on a higher level, physically, you get up to your height and shoot doesn’t mean you have to shoot from the point of view of your eyes. Spend time searching and you’ll find several elements to improve your composition. With very high elements, shooting with the camera up can accentuate its size and height.
The vastness of these trees, for example, is best highlighted by looking up and not down, or in a straight line.
Finally, don’t forget to think side by side: in addition to thinking about the height of your camera’s direction, you should also remember to move. Take the time to review what you’re going to photograph and consider the background. and the foreground. Think about how all parts of your composition work together. Your first view and first angle are generally not the best available, but you won’t be sure until you research and explore the others. Moving your feet can change the way different objects interact with each other in the scene to be photographed. Sometimes a small side step is enough to completely transform a photo.
Don’t fall into the trap of photographing everything you see without weighing the different views this may have, take the time to explore your model and the scene it’s embedded in, and think about changing perspectives.