No, this statement that you see printed directly in the title of this text on the emotion of photography does not come from extensive scientific research, much less an in-depth analysis of the data available on the Internet, is a purely observational exercise. A clear feeling after seeing several and several jobs from different test models.
It must be said, first of all, that translating the emotion of photography is not easy, something you ask for as a gift or buy wins, like a supermarket product on the shelves, especially since, if possible, besides being a very rare object, it would be very expensive.
- Capturing something so specific.
- Precious and almost instant in this way is not easy.
- It is necessary to have a high technical knowledge.
- An unusual perception.
- Worthy only of the most qualified professionals.
And it is at this point that a very important aspect comes into play in understanding these kinds of issues: spontaneity.
How would you proceed with the emotion of photography?How is it possible that something so instantaneous and pure is prepared, ready, at the moment you wait?This does not seem possible, not for those who believe in the true content of emotions.
In this scenario, ready-to-use poses and other highly focused concepts, the modeler or the protagonists of your photographs go against this philosophy, they just don’t match.
This shows how the exercise of photography and its talent are not limited to taking a camera, learning certain scenarios and taking pictures.
It’s not just a series of clicks. This is not a ready-to-use manual, it’s the passion, feeling and excellent ability to capture the thrill of photography, which is your best business card.