Sometimes, in my free time, I become a reader and follower of the readers of this blog: I read their updates on Twitter, I look at or comment on their photos on Flickr, etc. As I do this exercise, I sometimes feel pleasant surprises, like the one that provoked a comment posted by Sylvia Colon on Google. The comment consisted of a response/reflection on an article I had previously published here on the blog titled 7 Reasons not to use Photoshop.
Sylvia’s comment positively surprised me and made her our reader of the month. I LOVE that critical and debatable spirit that sometimes arises among readers.
- As I was researching Sylvia’s cyber life.
- I discovered that behind this name lives an entire artist.
- No.
- “artist” is falling short.
- Really.
- Believe me.
- His art is overwhelming.
- His photographic works are of decreasing quality.
- In addition to Sylvia’s bewildering but captivating “style.
- ” a photograph I would describe as personal.
- Humanistic.
- Fantastic.
- Dreamlike and surreal.
- An ELEAN surrealism.
- His creations quietly describe tears.
- Desires.
- Dreams.
- Goals.
- Strangers.
- And consciences.
- There is one that I do not know what has always lived in us but that we have never been able to discover.
- Something that Sylvia’s photographic projects bring us very.
- Very closely We almost touch it.
It’s hard to observe his work and not feel half apart
“I suppose something of me is kept in what I do, I find it an inevitable consequence. The experiences I’ve had, my emotions, and the people I’ve interacted with are part of my job. A path that I walk little by little, and that I hope I don’t end in my life. “
Sylvia’s creative exercise is very wide and varied: she visualizes photography, post-processing, photomontage and endless techniques and skills that converge to give us delicious and addictive results.
Anyone with minimal artistic sensitivity should take a look at their personal blog where they post all their work and/or follow it on Twitter or Flickr if you have an account.
I let you enjoy some photos that, with Sylvia’s permission, I include in this article in the form of a mini-gallery.