The Panasonic Lumix DMC-GX8 is the company’s flagship Micro Four Thirds camera with interchangeable lenses (ILC) from the company and a good accompaniment to the popular Panasonic Lumix DMC-GX7. By sharing some similarities with its predecessor, such as an electronic reclining display and a rangefinder case, most specifications and features are greatly improved.
The Panasonic Lumix DMC-GX8 was the first Micro Four Thirds digital camera to leave the world of 16 megapixel sensors, reaching 20MP. This higher resolution allows the Panasonic Lumix DMC-GX8 to appear narrower in specifications than other ILC, many of which have 24MP sensors when combined with Panasonic’s latest Venus Engine processor, the GX8 is capable of capturing 4K videos, 10 ips with automatic shooting (8 with mechanical shutter) and a higher ISO of 51200.
- The camera also received a major update in the autofocus department.
- We were impressed with its speed and object tracking skills when we analyzed with the DMC-G7.
- Another useful new feature on the Panasonic Lumix DMC-GX8 is ‘Dual IS’.
- The camera already has an IS motion sensor and.
- When lens stabilization is activated.
- It can combine the two systems for better vibration reduction.
- Panasonic claims a 3.
- 5x wide-angle improvement and 1.
- 5x telephoto on the Panasonic Lumix DMC-GX7 (which was based solely on its less advanced version of the system).
The Panasonic Lumix DMC-GX8 has also acquired support for 4K video capture (UHD) that surpasses the DMC-G7 in terms of functionality, although it is not as robust as the Panasonic Lumix DMC-GH4. 4K, the compatibility also extends to the photos, through the Camera Photo Mode 4K, a tool that helps you capture moments that you could miss.
One last thing to mention in this review is the design of the DMC-GX8, the camera is considerably bulkier than its predecessor, closer in size and weight than the Fujifilm X-Pro2, this is a good thing, since the quality of manufacture has done so. The camera is now water and dust resistant. The reclining electronic viewfinder remains, but is now larger and uses OLED technology instead of LCD. The GX7’s sloping rear LCD display paved the way for a fully articulated OLED display on the Panasonic Lumix DMC-GX8. Some dials also move and there is now direct control of exposure compensation on the top plate of the camera.
The Lumix GX8 function that defines it is comparable to both mirrorless cameras such as the Olympus PEN-F and Fujifilm X-Pro2, but also to DSLRs such as the Canon 80D and Nikon D7200. As you’ll see in this review, the GX8 offers features that none of these cameras can compete with.
MOS Four-Thirds 20MP Sensor
Depth of a challenging system
2. 36m dots on tilted OLED electronic viewfinder
Multi-angle TOUCH OLED display with 1. 04 M points
4K video/photo
Weatherproof magnesium alloy body
Wi-Fi with NFC
The Panasonic Lumix DMC-GX8 is an impressive mirrorless camera that offers most of the features sought by many enthusiasts. Its new 20MP sensor is impressive, the depth of the AF focus system is top notch and features an innovative Dual IS system. and Wi-Fi capabilities are well implemented and its waterproof housing is solid.
What separates the GX8 from its competitors, both mirrorless and DSLR- are its articulated EVF, its 4K video (except compared to the possibly missing Samsung NX500 and NX1, and the newly announced Sony A6300) and the useful features of 4K Photo and Post Concentrer. And while the GX8’s Micro Four Thirds sensor can’t compete with high-sensitivity APS-C sensors, it has its own value and should meet the needs of most photographers.
If you want a camera that can calmly handle street photography and 4K video recording, the GX8 should definitely be at the top of your list; However, potential buyers should consider two important things before buying their cameras: photographers will have to decide whether to do so. Use the electronic shutter to avoid stains, or if it’s worth making a potential commitment, while filmmakers who want to plug in an external microphone or HDMI cable may not like the inability to use screen flexibility. rear rotation of the camera.