Nikon f / 2. 8 zoom lens: Nikon AF-S NIKKOR 70-200mm f / 2. 8G ED VR II lens, Nikon AF-S NIKKOR 14-24mm f / 2. 8G ED lens, and Nikon AF-S NIKKOR 24-70mm f lens / 2. 8G ED Fixed focal length Nikon f / 1. 4: AF-S NIKKOR 35mm f / 1. 4G, AF-S NIKKOR 85mm f / 1. 4G, AF-S NIKKOR 24mm f / 1. 4G ED, AF-S NIKKOR 58mm f / 1. 4G and AF-S NIKKOR 50mm f / 1. 4G. Nikon f / 1. 8 fixed focal length lenses: AF-S NIKKOR 35mm f / 1. 8G ED, AF-S NIKKOR 28mm f / 1. 8G, AF-S NIKKOR 50mm f / 1. 8G and AF-S NIKKOR 85mm f / 1. 8G.
These are some of the most popular and sought after lenses for video recording with Nikon DSLR cameras. Some notes on these options:
- ? All of these Nikon targets are FX.
- FX is Nikon’s designation for the “full format” sensor.
- Which means that the sensor size comes from a traditional 35mm film.
- Which was used in the industry as a measurement standard.
“Many video users will tend to opt for lenses with a fixed focal length of f/4, due to image quality and aperture control/however, it is important to know that in practical applications, a combination of lenses with a fixed focal length of f/1. 8, nikon lenses with fixed focal length f/1. 4 and zoom are a more versatile system.
F/1. 4 fixed focal length lenses are typically used in movie scenarios, where the whole scene can be easily controlled; In this configuration, they are essentially used for low-light capabilities and also for a shallow depth-of-field (bokeh) aesthetic. Currently, Nikon f/1. 8 fixed focal length lenses can deliver equally impressive image quality in similar lighting conditions. /1. 4 can go further in the dark, f/1. 8 gets much closer, and if additional light is needed, adjusting the camera settings (ISO) can get the effect.
? Large apertures like f/1. 8 yf/1. 4 have such a low depth of field that it can be difficult to make sure the subjects are sharp. field and not have to worry about whether the subjects are sharp. Therefore, it is better to use good zooms for documentaries or movies instead of a fixed focal length lens.
? VR image stabilization (vibration reduction) is integrated into some of the best zooms. Using a non-virtual reality lens can be a problem, if you are recording on the fly or with the camera in your hand, as it can be quite difficult to stabilize the video when recording with the camera in your hand. So, if you need a little help stabilizing your scene, a zoom lens may be preferable, due to the built-in virtual reality.
What are the best Nikon lenses for video recording? Only you can make this decision, based on your needs and your specific artistic vision. But basically, a videographer can have the following combination of video lenses:
? Lens Nikon AF-S NIKKOR 14-24 mm f / 2. 8G ED Nikon AF-S NIKKOR 24-70 mm f / 2. 8G ED Lens Nikon AF-S NIKKOR 70-200 mm f / 2. 8G ED VR II Nikon Af -S NIKKOR 50mm f / 1. 8G?Nikon AF-S NIKKOR 85mm f / 1. 8G lens
If you are on a film set, you can find the cinematographer with the following lenses in your cart:
Nikon AF-S NIKKOR 14-24mm f / 2. 8G ED Lens Nikon AF-S NIKKOR 24-70mm f / 2. 8G ED Nikon AF-S NIKKOR 70-200mm f / 2. 8G ED VR II Nikon AF Target- S NIKKOR 24mm f / 1. 4G ED Nikon AF-S NIKKOR 35mm f / 1. 4G Lens Nikon AF-S NIKKOR 50mm f / 1. 4G Target Nikon AF-S NIKKOR 58mm f / 1. 4G Lens Nikon AF -S NIKKOR 85mm f / 1. 4 G?Nikon AF-S NIKKOR 200mm f/2G ED VR II Lens
If you’re looking for a set of lightweight, versatile lenses to shoot on the go, or if you’re on a tighter budget, these lenses are also an excellent choice:
? Target Nikon AF-S NIKKOR 24-120mm f/4G ED VR?Nikon AF-S NIKKOR Lens 35mm f/1. 8G ED? Nikon AF-S NIKKOR Lens 50mm f/1. 8G?Nikon AF-S NIKKOR lens 85 mm f / 1. 8 G
As you can see, there are many ways to put together a lens kit to suit your needs and we only cover the basics in this article. Even more unique features can be added to your scenes with perspective, macro and fisheye control lenses. In fact, there are currently over 81 NIKKOR lenses and five NIKKOR teleconverters available; that is, many options to choose from! To use a little math, if you assemble a kit of 5 lenses out of the 81 options available from NIKKOR, you could have 25,621,596 different combinations, which can be impressive. So take a deep breath and ask yourself the following questions: “Am I going to shoot a lot in low light?” If the answer is yes, you should consider prime lenses or fast zoom lenses (like the aforementioned f / 2. 8). If the answer is no, you can focus the zoom lens. ? Is shallow depth of field (bokeh) important in my video? If this is very important, you should consider having fast prime lenses in your kit, or at least an f / 1. 8 prime lens. If shallow depth of field isn’t important, zooms will get the job done (and some of the faster f / 2. 8s will even satisfy your need for depth of field (bokeh)). ? How often should I change my glasses? If you don’t want to change lenses, choose zooms, if you are on set or have the option to change lenses without problems, then they can be considered prime lenses. So go ahead and select the lenses for your kit, you will finally find that the best lens configuration is the one that suits your vision; And when it comes to versatility, nothing beats having primary zoom lenses that can be combined with prime lenses.
Source: Nikon Learn