Learn from these words from Hitchcock: your audience doesn’t have to watch your movie!Then, before you finish your script, your shooting list, or edit, do your best to make them seem easier.
Is it common for beginners to get caught up in metaphors, character psychology and symbolism?Those things Portuguese high school teachers talk about so much. Yes, does intellectual complexity contribute to a good story? And good art. But these things won’t, interest your viewers. Filmmakers should never allow intellectual complacency to hinder good charisma. Alfred Hitchcock at his best is the perfect balance between the two.
- With Hitchcock.
- His main goal was to make things as easy for the public to understand as possible and eliminate any inaccuracies.
- In this way.
- It could make the suspense even stronger.
- Using these tactics in your movies will certainly improve your audience’s experience.
Some jokes only work when counted by a certain comedian. It all depends on the attitude, tone and personality the audience sees before the joke starts. The same goes for a movie. Hitchcock is an expert in this attitude. Hitchcock makes the viewer feel the director’s attitude behind the camera. At its basic level, a film is like a story of fire told by an experienced storyteller. By creating a narrative presence when telling stories, your film could avoid being boring.
Did Hitchcock do this by creating his own brand as a director?Through his special appearances, his television appearances and his skillful manipulation of the press. He built his character so well that you can’t help but feel the narrator’s hand behind every movement of the video camera.
Don’t get me wrong, I’m not saying that your film can’t have intellectual complexity, but the purpose of the story (the things your camera focuses on) should be small, trivial and simple. Your scene may be that of an epic fight between lovers, but they must fight for car keys or TV remote control. Linking your epic story to trivial objects allows the camera to do the dramatic work and makes the story more fun to follow.
Hitchcock liked to focus simply on the eyes, hands and feet. When you look at something, your feet show confidence in an environment (or your absence), your hands grab an important object. This visual simplicity makes it much easier for the audience to follow the logic of the character. .
There are many ways to get into a character’s mind, but the one often overlooked is a stream of consciousness. Hitchcock likes to let the audience hear the hero’s thoughts in a real-time voiceover during the scene’s action.
The current trend is fragmented framing and quick assembly. While this can increase tension if used intelligently, it is a lazy form of tension that is synthetically imposed on a scenario that is not there, and can tire the audience if used too much. long-range shots. Hitchcock uses long-range shots to capture the tension already inherent in the scene and allow its space to become a tension device.
Dramatic space allows two opposing forces to interact in a single image (often in the foreground in the background). Any thriller, drama or even comedy can use these Hitchcock techniques to draw your audience to history faster and keep your attention longer. Hitchcock lessons and captivates his audience.