Why have we gotten used to the camera alone?Walk on special occasions?Those moments when photography became part of our lives as the most popular hobby?Fascinating that we would never have discovered?Those moments when we photographed everything randomly, a fallen blade, a door handle, sandals on a tile, a close-up of your cat’s lashes?
Those first times, it seemed to you that you were evolving in leaps and bounds and surely believe it or not, so it happened, because you practiced, because you sharpened your mind with the use of small things of everyday life, because you devoted yourself passionately to your new hobby.
- Over time we tend to fall into laziness or think that this rookie phase is over the beaten.
- As if we had to overcome it.
- A big mistake!Is that it.
- Rookie? Enthusiasm This is the great ally of every photographer.
- Without him there is little left.
- We become lazy.
- We practice little.
- Inspiration abandons us and we lose the illusion.
What a dramatic scenario, isn’t it? Well, almost everything in life has a solution, and fortunately we have practice at hand every day in any corner and with any object.
Or what is the same; Play with the opening of your goal. As you know, the more you open the aperture (f/1:4, f/2:8, etc. ), the less depth of field or focus area you will have in the Image Master Aperture will bring you interesting images, especially when you want to isolate an object from the background or highlight something from it.
If you use the opposite technique, it will close the diaphragm (f/16, etc. ), which will give you more focus area on your image.
Or how to photograph a drop without dying of despair?You’ve already seen these fascinating images of a drop captured at the very moment before falling on a liquid surface, or that of an object falling on a liquid and spilling perfect ice drops everywhere. Well, to get these beautiful images, just you I need your camera, a little patience, something liquid and a little imagination.
Forced perspective is a type of perspective that we use to deceive the view, make two objects that are on different planes appear to be on the same plane, creating “impossible” images.
If you like high contrast images on an impeccable white background, you can’t stop using this technique, a white background, lots of light, a tripod and follow the instructions in this article that explains step by step how to convey positivity, peace. and happiness through this technique, is all you need to make these fascinating images.
If, on the other hand, you have better mystery embodied in a black background and low light, I recommend you try photographing with discretion, a black or very dark background, little subject-oriented lighting, as well as some tests and adjustments. Depending on the situation, is that all you need to take discreet photos?
You thought you couldn’t photograph something as ethereal as smoke?This article will show you that not only is it possible, but the results you can get are beautiful, you just need an opaque black background, something that makes smoke, a tripod and external flash do you dare?
There could be no lack of macro-house photography. At home we have time and control all the variables as if it were a study, so we have time to make mistakes, repeat, practice and solve situations, this is the perfect time to dely into macro photography before leaving. to photograph other objects. Do you know how the objects around us can be seen daily in size 1: 1 (i. e. giants?)?
A very good way to learn composition is to train with everyday objects, since we have them at hand, do they not move and do not have enough of our experiences?Practicing with basic rules of composition such as the rule of the thirds, the rule of Golden Number, negative space, lines, the law of the horizon and a long etcetera, with a simple composition (of one element or very little) are the best ways to learn the composition you will find.
Once you master minimalist compositions, you can dare with compositions that include more than one element. And some of Rembrandt’s still lifes?
Still lifes will help you train with complex compositions and with the orientation and strength of light. Take your time and enjoy learning.
The difference between a lighting scheme or another or a type of light or another is essential to understand the subject of an image, anticipate the result, form your photographic eye and control your scenes.
What is the difference between dim light and hard light and between natural and artificial light?What is the difference between ceiling and side lighting?
Mount your daily scenes at home as if it were a lab, your camera and the objects around you can be your best school. Remember that many of the great photographers of all time are self-taught; Isn’t there a better way to learn?
We have already talked about painting with light from time to time. If you have a camera that you can manually program, a dark scene, a tripod, a light source (candles, flash, flashlight?), And maybe and possibly an assistant, you already have your light painting photography.
Popular wisdom already tells us that everything depends on the point of view from which you look at something, right?, because in photography it’s exactly the same, don’t just photograph from the same point of view as you. you will lose about 80% of the interesting alternative images to yours. Forget about always throwing comfortably from your height. Get down, stand up to your object, climb on top and dive or dive under and against. Move and experiment, don’t limit yourself to the usual; varies angle and perspective.
I think there are few techniques as simple and with results as surprising as double exposure. The ability to mix two realities into one image, two different narratives united in one?The possibilities of this technique are endless. You can mix objects, textures, concepts, describe the passage of time or anything else you can think of.
Is it me, or does this technique really transform 6 scenes quickly into 8. 5 scenes?I don’t know why, but these warm, repetitive and diffuse shapes manage to contribute a lot to an image, but the truth is that it is, and better yet, it’s pretty easy to achieve that effect. If you want to know how to do it, here’s how to get this effect step by step.
Bright surfaces such as the dark marble of your kitchen, or the freshly locked floors, a mirror or anything you can think of, can create very interesting compositions in your photography of everyday objects.
I don’t, but if for example you know how to draw and you like photography, why don’t you try mixing your two aficiones to see what results you get?Photography is not isolated. It feeds on you and everything you’ve learned and mislearned throughout your life Why not involve it and give your images an original touch?
Repetitive lines or patterns, textures, repetitive or mixed colors, placing an object in the wrong place, insulation, narrow focus. . . Everything is able to refrain from other abstract realities.
Knowledge has no place and you never know where your hobby can take you. Also, as complicated as it may seem at first glance, the truth is that you only need camera, time, motivation and practice. a lot of money, as most things can be solved with a little TINKERing and imagination at home. Would you be surprised if you could stand a houselight and white cards?
I recommend this fantastic article from which you will extract not only ideas to photograph products, but also to experience everything around you.
It’s time to experiment, find your style, age your image or make it avant-garde, transform it into black and white, cuttlefish, to make it real or unreal, to find the space in which you feel comfortable on the margins. others (which are always appreciated but do not have to be decisive). To do this, I recommend that you have previously set up your camera in RAW so that you have more freedom in processing and with better results.
The best photography school is the one that you have at your fingertips, the one that allows you to practice, innovate, wander, learn, that’s all you need. Don’t wait to take this great trip, to have that wonderful lens or camera that you dream of. None of this will make you a better photographer. This won’t even allow you to get better photos. To be better, there is only one recipe, practice without stopping, and what better and easier than to do it with all the daily things that you have at your fingertips at all times?
So now you know, let’s practice! And if you liked it and think someone else will benefit from this article, share it on Google, Facebook or Twitter. Thanks a lot!?