I know few photography buffs who haven’t been interested in street photography or street photography at any given time, but in the end, the truth is that taking these images of interesting strangers on the street gives us scruples. Hand, full of energy, positivity and confidence, wanting to get some memorable images, but the truth is that as the minutes pass, we deflated to stop being the shadow of the safe person that we were a few moments before. What sounds familiar? Well, like everything else, is it a matter of determination seasoned with some tricks that can be useful to you?.
To begin to lose fear, it is usually a good option to choose places with a large influx of people, there it will be easier for you to mistake yourself for a tourist and get lost based on the crowd. Try the tourist spots in your surroundings, subway or train exits, corners of shopping streets, etc. Once you feel safe, little by little you can look for more interesting and lonely places.
- Don’t just take photos automatically – the camera will make the decisions.
- Not you.
- If you really want photography to be yours.
- With all its strengths and weaknesses.
- It is best to first practice aperture or speed depending on the results you want to achieve.
- If it is a scene of constant light.
- You can also dare in manual.
- You have nothing to lose and much to win?.
If you’re afraid of having to get so close to people, try to start with longer focal lengths and with each raid you force yourself to lower it a little, you probably have a zoom that allows you to vary the focal length. something like this:
One of the things that takes us most badly and that terrifies us the most is facing bad looks, bad words, having to explain or be exposed in public, although this is our main fear, the truth is that these kinds of situations occur. less often than expected, however, if you prefer to avoid them at all costs, you’d better learn to be discreet.
If you want to convince someone that you’re not really doing anything wrong, the first thing you have to do is convince yourself, don’t look guilty, you’re not doing anything wrong, if you convey that, people will feel much more comfortable with you.
If you’re not really comfortable with what others might say or think of you, try asking someone who caught your eye. Tell her why you want her picture: because you like her hairstyle, because you do a job at the beard, that once you see that people are more willing than they seem to be photographed, go ahead and do it without permission, so that the photographs are spontaneous and natural, what we look for in urban photography.
I mean, street performers, dancers, acrobats . . . Anyone who works on the street is used to being photographed. They are a good reason to get started and dust off your camera without feeling so embarrassed. Once you get the hang of it, search for subjects? More interesting and spontaneous.
It is suitable for street photography as a glove. However, you will like this, because it depends on the images that are held or not in black and white, learning to see it is a matter of practice, so if you like monochrome, do you have a place to start?
It’s easier to find something when you know what you want. For example, you’re interested in the activities of older people on the street. Here’s your subject. Or he’s fascinated by vendors. Another topic. Or what fascinates you the most are the faces of people waiting for the traffic light to turn green. Another topic? This will help you focus and get more and better results and not feel so lost in the triad of possible images offered by urban photography.
At first we find everything interesting and risk becoming a beautiful photograph, over time you will become more critical and demanding and you will see that, unfortunately, it is not so simple, many times the person you are photographing is not interesting enough?(visually speaking) otherwise you have to learn to look for photogenic contexts, by contrast (old and new, up and down?), by topic, formal, etc.
Soak up his style, his good work, decide what you want to do and why, what style suits you best?And little by little you will find your own style, the way you do things.
If urban photography is your thing, before you go out and photograph like a madman, find out what you can and can’t do in your own country, even more so if you go to unknown countries, make sure you understand what you can and can’t photograph. to avoid further ailments, or at least to be aware of the consequences of their behavior.
Only with practice will you learn to find interesting patterns, to be fast and discreet, to scare away the image rather than just what is in front of you, only with practice will you gain confidence, fluidity, learn to discern an interesting photograph from a flat and boring photograph and improve your composition. The more you practice, the more you’ll fill your photographic eye, so eager to learn.
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